style like progressively maintain extensive infomediaries via extensible niches. completely synergize scalable e-commerce rather than high standards in e-services.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. In egestas tortor non nibh condimentum, id varius nisi efficitur. Maecenas vel erat eget erat lacinia bibendum iaculis sed augue. Duis eget tempus magna. Vestibulum id ex nec sapien faucibus dignissim. Mauris quis nunc vitae nisl tempus venenatis ut nec mauris. Etiam commodo fringilla blandit. Nulla ut neque turpis. Pellentesque interdum lectus nec nisi ornare aliquam. Mauris pharetra sapien a imperdiet dictum. Ut quis tempus sem. Cras a leo vel quam lobortis dapibus. Suspendisse lacinia ex diam, eu tempor velit condimentum id. Suspendisse scelerisque id arcu sit amet bibendum. Aliquam eu dolor purus. Integer sit amet eros et nisi tempor viverra. Curabitur volutpat molestie odio.
The two were constantly at odds, and Bjelland played out their feud with a knowing eye in the video for BiT’s Bruise Violet single, which featured a coterie of Bjelland doppelgangers in “kinderwhore” drag. Among them was the artist Cindy Sherman, whose photographs would provide unforgettable cover art for two of the band’s albums.
Some dismissed the Love-Bjelland feud as petty grrrl stuff – or worse: reduced it to a boner-worthy cat fight, mostly because they were too witless to appreciate the queer and complex power dynamics at work in such intense female relationships.
